X-ray fluorescence
Elemental composition, from magnesium to uranium, without sampling.
Art, archaeology and forensics
On an artwork, an archaeological object or a piece of evidence, sampling is often forbidden — and always regretted. X-ray fluorescence gives the elemental composition without pressing contact, without a specimen, and without consuming anything.
That is what makes it usable in a restoration room as much as at a customs post.
Pigments have a history: each appears, spreads, then disappears. Identifying the elements of a coloured layer often means placing a work in time — or establishing that it cannot be of the period claimed. X-ray fluorescence gives the elements; Raman confirms the pigment.
The same reasoning applies to glass, metals and ceramics.
A counterfeit rarely gives itself away to the eye: it gives itself away in its composition. Taggants deliberately introduced into an ink or an additive, an alloy that does not match the declared origin, a coating hiding a less noble substrate.
We work with investigation services and customs, and took part in a symposium on counterfeiting at the European Parliament.
Restoration pigments, the fight against counterfeiting, laboratory instruments and bespoke developments.
We come with the right technique — X-ray fluorescence, Raman or microscopy — and measure on site, usually without taking a sample.